Pet Portrait
Airbrushed-Wildlife
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Here are several newspaper articles where Amy's passion, artwork and inspiration are presented: - Wildlife paintings gain drama with new technique, by Lana Michelin, Red Deer Advocate, Alberta, May 2009 - Nature captured in Sylvan artist's work, by Mark Weber, Red Deer Express, Alberta, May 2009 - Wildlife artist dedicates work to father, by Brian Dunning, Ontario, August 2004 - Inspired Art, by Terry Bush, The Shield, Ontario, April 2006
By Lana Michelin - May 19, 2009 (Red Deer Advocate)
Central Alberta - Amy Keller-Rempp finishes a landscape of wolves on a set of moose antlers near other pieces she has created in her home studio near Sylvan Lake. Photo by Randy Fiedler/Advocate
Amy Keller-Rempp discovered there’s more than one way to paint wildlife. The Red Deer area artist started out with the hyper-realistic, paint-every-hair style that won her praise as a teenager from famed wildlife artist Robert Bateman, but these days elicits yawns from many gallery owners. Keller-Rempp heard too many artists are doing wildlife realism and the style has largely been devalued by mass-market prints. So what’s a wildlife artist to do? Keller-Rempp tried her hand at a looser style of painting in which she attempts to capture the characteristics of the animals — the strength and energy of running horses, the stealth and mystery of wolves — and suddenly, people are becoming interested in her work. The 27-year-old said she’s had canvases accepted in the Calgary Stampede art gallery, as well as Edmonton’s Klondike Days. An aboriginal gallery in Edmonton is also interested in carrying her paintings. “I let myself free with big brush strokes. People are responding better and I love it,” said Keller-Rempp, who believes her larger, looser paintings contain more movement, vitality and “drama” than her formerly painstakingly detailed ones. They take less time to complete and therefore command more affordable prices — less than $1,000 for a large canvas, compared with the more than $2,000 she was charging for realistic paintings that each took a month or more to finish. It’s just the latest evolution of an artistic career that for Keller-Rempp started on her family’s large and remote acreage northwest of Ottawa, near Bon Echo Provincial Park. “I grew up hunting and fishing and just appreciating nature and wildlife,” she recalled. It was the mystery and “spirit” of bears, deer, wolves and owls that made them fascinating subject matter for her paintings. Keller-Rempp’s mother, who was half Mohawk, was a school secretary. Her father, Dale, was a pipeline worker who was diagnosed with multiple sclerosis when his daughter was only seven. As a result, Keller-Rempp’s childhood and adolescence was a tough time for the family, financially and emotionally. She and her two sisters found it hard watching their strong, independent father gradually lose his abilities, and Keller-Rempp turned to art as escapism from the stress and sadness. She completed many commissioned animal paintings as well as murals at her school and on the walls of area businesses. She painted animal scenes on long saw blades, and on antlers and pelts. Once, when Robert Bateman was making a public appearance at the nearby provincial park, Keller-Rempp’s sister seized one of her paintings and pushed her way through the crowd to ask the artist’s opinion on it. Keller-Rempp was thrilled when Bateman responded that he never would have thought the painting had been done by a 16-year-old. He confirmed that she should follow an artistic career path. Keller-Rempp later took an “intense” year-long visual art course at Sir Stanford Fleming College in Haliburton, Ont., to expand her painting techniques. But when her debilitated father committed suicide in 2004, she sank into a deep depression. “I was always praying and believing every day that eventually he would walk and get better, and have a normal and happy life.” Again it was her art and the support of family friends that helped her to heal. Keller-Rempp also credits her French-born husband, Antoine Rempp, for helping reignite her artistic interest. She now believes she has a God-given talent that she’s supposed to share with others. The artist, who moved to Red Deer last fall, has donated dozens of paintings to good causes, including multiple sclerosis and animal preservation charities. She’s also expanding her interest in animals into other areas, including airbrushed pet portraits. These can be incredibly life-like without requiring the near-pointalistic technique of animal realism, said Keller-Rempp, who feels things are lining up in her favour. For example, her husband told her about the Calgary Stampede’s early January art submission deadline just before Christmas — and just before her in-laws were due to visit from France. “I thought there’s no way I can get any paintings done on time,” she recalled. But her husband and his parents cooked, cleaned and took over care of their animals to allow her four days of uninterrupted painting time. When the Stampede officials called to say they were accepting her work, Keller-Rempp recalled thinking, “Oh, my God, it’s a miracle!”
By Mark Weber - May 06, 2009 (Red Deer Express)
Amy Keller-Rempp has an astonishing gift for capturing the nuances of wildlife in her exquisite art.
By Brian Dunning - August 6, 2004 (Land O'Lakes Sun) Bon Echo Park - Amy Keller holds her prized painting "White Spirit" dedicated to her father who imparted his love of the outdoors and wildlife to Amy, which is why the original painting is not for sale. Her attention to detail stems from the desire to make her work, "as realistic as possible."
Bon Echo Park - Amy Keller inherited her father's love of the outdoors and as such is dedicating her artistic talents to his memory. Amy's wildlife paintings are a reflection of some of Canada's best known wildlife artists. She was one of the many artists who showed her works at this year's Bon Echo Park Art Exhibition. Amy hails from Denbigh and realized at an early age she had a talent for painting. She amazed her family and friends when, at the age of 10, she produced her first work of art. For the past 12 years she has been working on improving her, "gift from God." Earlier this year Amy's father died suddenly, after battling Multiple Sclerosis, (MS) for years. Despite his afflection Mr. Keller instilled in his daughters a love of nature. Amy said her father had a great impact on her, supporting her while passing on his knowledge of animals and nature. She said when she showed her father a sketch of a painting she planned to do of a bear in a tree, he informed she was using the wrong kind of tree. He took her out into the woods and explained the different types of trees bears would most likely climb. Given Amy's attention to detail, that was important information. Amy said she plans to "keep going for him" and will be donating some of her paintings to MS to auction off to raise funds. However, there is one original painting she plans on keeping. Entitled "White Spirit," it is a painting of a wolf's head, which she started a week before her father's death. She said it will be a reminder of how proud her father was of her. "He was a huge inspiration. 'I'll never give up." Dedication to their father's memory runs in the family. Amy's younger sister Kerri-Anne having raised $1,200 in pledges took part in the MS Bikathon held recently in London.ON. Amy says the family believes, "people must do something to help (the fight against MS)."
April 28, 2006 (The Shield)
Amy Keller shows off her painting "White Spirit" that she painted in memory of her father, one of the people who inspired her in her artistic endeavours. Photo: Terry Bush Flinton - Denbigh artist Amy Keller's paintings are a fixture each year at the Land O' Lakes Trappers exhibition in Flinton and it's easy to see why. Her passion for wildlife is evident as one passes her exhibit in the centre of the hall. Deer, bear, wolves and elk jump right off the canvas. Painting since the age of ten, Amy mentions her parents and her art teacher Colin Edwards at North Addington Education Centre as her inspiration. "Colin bas critiqued my art over the years and has helped with everything you see here. Now, he looks at my paintings and has nothing critical to say."
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